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MEDIAKIT 2025
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Behind the Mask
A column by Giuseppe Scalera
Pulcinella to you all • Gaetano pesce in Naples
Behind the Mask
Giuseppe Scalera
-
February 12, 2025
The Olympics of tomorrow - Re-proposed the binomial art and sport
Behind the Mask
Giuseppe Scalera
-
December 9, 2024
That bolgia of the small market - A reflection on local collecting
Behind the Mask
Giuseppe Scalera
-
August 17, 2024
A sector that involves large amounts of capital - But where does art money go?
Behind the Mask
Giuseppe Scalera
-
June 5, 2024
When the auctions break down myths - 40 years ago, the sale of Achille Lauro's collection
Behind the Mask
Giuseppe Scalera
-
March 12, 2024
Online Auctions - We are in Anarchy
Behind the Mask
Giuseppe Scalera
-
October 16, 2023
Berlusconi: post mortem revelations - The Strange Collection of the Knight
Behind the Mask
Giuseppe Scalera
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August 24, 2023
Memory Dust - When Time is the Enemy of Art
Behind the Mask
Giuseppe Scalera
-
August 24, 2023
Enchantments and Disenchantments of the World Wide Web
Behind the Mask
Giuseppe Scalera
-
August 24, 2023
Pagination
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A Conversation with Mario Botta: transforming nature into culture
Who
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Anselm Kiefer at the Kunsthalle: the importance of memory
What
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Balzac in his robe • Paris: Unique Rodin exhibition at the homonymous museum
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The visionary artist on stage - Milan: Pino Pascali at Fondazione Prada
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Cesare Orler
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The Last Provocation of Daniel Hirst: what a good fake, i’ll buy it and i’ll sign it
Topic
Cesare Orler
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March 22, 2021
1967: How Celant changes the world • Paris: The Arte Povera at the Bourse de Commerce
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Paolo Magri
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March 1, 2025
