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Final Farewell
Ecce Homo - Milan: Fernando Botero’s first posthumous exhibition at the Permanente Museum
Final Farewell
Luciano Caprile
-
February 26, 2024
Articoli Recenti
When the ordinary becomes extraordinary- Paris: The Pompidou’s tribute to Barbara Crane
What
Paolo Magri
-
December 16, 2024
Art that denounces, art that excites - Los Angeles: Olafur Eliasson at the Moca
What
Francesco Agnellini
-
December 11, 2024
The Olympics of tomorrow - Re-proposed the binomial art and sport
Behind the Mask
Giuseppe Scalera
-
December 9, 2024
Sculpting foreshadowing future - Portrait of Augusto Perez, a great visionary
Spotlight
Sandro Parmiggiani
-
November 25, 2024
That fire never extinguished - A look at Bernard Aubertinn
Chiara Gattamelata
-
November 22, 2024
Vernissage: what should I wear? Better the adamic costume
Editorial
Lorella Pagnucco Salvemini
-
November 10, 2024
Art Basel 2024 - Reflections waiting for autumn
Art Fair
Anna Ostellari
-
October 7, 2024
Masterpieces on display - Forte dei Marmi: Tornabuoni celebrates 20 years since its opening
Great gallerists
Guendalina Cappellano
-
October 4, 2024
The breeze of Rio - St Ives: Beatriz Milhazes at the Tate
Where
Guendalina Cappellano
-
October 4, 2024
I più letti di oggi
Venice: a meeting with Karole P. B. Vail, Peggy Guggenheim’s granddaughter
Coffee Break
Myriam Zerbi
-
November 17, 2020
Banksy’s legal problems: anonymous artist? No rights
Topic
Cesare Orler
-
November 18, 2020
Cindy Sherman Exhibition at Fondation Louis Vuitton: I dress up, so I am
What
Paolo Magri
-
November 27, 2020
Genoa. Cinzia Pellin at the Galata Museum: teaching seduction
Looking around
William Montedomini
-
December 9, 2020
Last art auctions results
Auctions
Elena Caverzan
-
January 14, 2021
Olafur Eliasson at the Guggenheim: like the northen lights
What
Elena Altemura
-
March 2, 2021
We Are Not Surprised by Anything Nowadays: beauty, where are you?
Barlumi
Myriam Zerbi
-
March 15, 2021
A coffee with Marcello Pietrantoni: i am classic
Coffee Break
Cesare Orler
-
March 25, 2021
The breath of the marble: Amendola’s Anthological Exhibition at the Palazzo Buontalenti and the Antico Palazzo dei Vescovi, Pistoia Musei
Focus
Francesco Agnellini
-
April 23, 2021
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