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Dubito Ergo Cogito
Soulless beauty
Dubito Ergo Cogito
Umberto Cecchi
-
October 5, 2021
It would take a new Munch
Dubito Ergo Cogito
Umberto Cecchi
-
March 19, 2021
Has post-virus art started? Visiting Giuliano Gori, the stimulus for a great intuition
Dubito Ergo Cogito
Umberto Cecchi
-
November 16, 2020
Articoli Recenti
At the museum like on a playground - Rome: Kaprow unique exhibition at Macro
Cesare Orler
-
January 28, 2025
When fat is beautiful - Rome: Fernando Botero great exhibition at Palazzo Bonaparte
What
Gianluca Ballo
-
January 13, 2025
Enrico's 100 years - Milan: Baj large retrospective at Palazzo Reale
Luciano Caprile
-
January 3, 2025
Sculptures to be interrogated - The Athens tribute to Novello Finotti
What
Alessandro Romanini
-
December 30, 2024
When the ordinary becomes extraordinary- Paris: The Pompidou’s tribute to Barbara Crane
What
Paolo Magri
-
December 16, 2024
Art that denounces, art that excites - Los Angeles: Olafur Eliasson at the Moca
What
Francesco Agnellini
-
December 11, 2024
The Olympics of tomorrow - Re-proposed the binomial art and sport
Behind the Mask
Giuseppe Scalera
-
December 9, 2024
Sculpting foreshadowing future - Portrait of Augusto Perez, a great visionary
Spotlight
Sandro Parmiggiani
-
November 25, 2024
That fire never extinguished - A look at Bernard Aubertinn
Chiara Gattamelata
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November 22, 2024
I più letti di oggi
Venice: a meeting with Karole P. B. Vail, Peggy Guggenheim’s granddaughter
Coffee Break
Myriam Zerbi
-
November 17, 2020
At the museum like on a playground - Rome: Kaprow unique exhibition at Macro
Cesare Orler
-
January 28, 2025
How good is that palette
Art to eat
Guido Andrea Pautasso
-
October 1, 2021
Ecce Homo - Milan: Fernando Botero’s first posthumous exhibition at the Permanente Museum
Final Farewell
Luciano Caprile
-
February 26, 2024
Botticelli's Venus in pornographic version
Editorial
Lorella Pagnucco Salvemini
-
August 12, 2021
Elio and Carola Marchegiani - Two stories, one life
Spotlight
Giorgio Regali
-
August 10, 2024
Vernissage: what should I wear? Better the adamic costume
Editorial
Lorella Pagnucco Salvemini
-
November 10, 2024
And light came
Focus
Lorella Pagnucco Salvemini
-
July 6, 2021
Strangers in the night - Venezia: The LX edition of the Biennale kicks off
Who
Myriam Zerbi
-
July 11, 2024
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