Milan • Cattelan returns to Italy with a solo exhibition at HangarBicocca 

He is everywhere: hanging on a wall, sitting on a ledge, emerging from a floor. On display also La Nona Ora, Others, Him

He is everywhere: hanging on a wall, sitting on a ledge, emerging from the floor. Maurizio Cattelan’s art is so iconic and egocentric that it can be summarized in any photo of the artist, even when the subject is another, a banana or a golden toilet.

Conversation with Paolo Guzzini

A well-known entrepreneur and great collector, together with two of the founding partners and with an exceptional team of managers, he brought the family company to worldwide success. They were responsible for the lighting of in Milan.

Many interventions in the world's most prestigious museums in very different contexts

I meet Paolo Guzzini in his central Milanese studio.

The Castle of Portofino reopens with a personal Exhibition by Elio Marchegiani 

Fossil finds from over one hundred and fifty million years ago on display, inserted and framed in the artworks, almost relics in which we can look at ourselves

"Art is an exact science that has had the luck of not being one"

One is young or old depending on the mind, the desire to investigate the world beyond those formalities or conveniences that determine our lives.

Paris, Centre Pompidou: a chat with the president Serge Lasvignes

During the long periods of lockdown, Lasvignes has chosen to postpone exhibitions rather than cancel them. To avoid destabilizing the cultural ecosystem

The Centre, worldwide icon of modernity, will close from 2023 to 2027 for massive renovations

Inaugurated in 1977, the Georges Pompidou National Center of Art and Culture in Paris is the place where the arts, shows, cinema, music and the debate of ideas intersect.

15.000 euro for the invisible sculpture of Garau

At first glance, the name doesn’t say much, at least not to the uninitiated. - Salvatore Garau, who is he? - I have asked this question myself more and more often in these days by many reasonable people, rightly astonished. Is it possible? Can a work of art that cannot be seen sell for 15,000 euros? It seems like a hoax, fake news; at best, a clever marketing operation. In any case, it’s all true. It really happened.

Moral and responsible projects structured on sustainable growth plans going towards one of the most important missions of new museology: community property.

Sensual Artworks in the Color, Tactile in the Curve and Intimate in the Search of the Invisible

A far-reaching exhibition focused on the contemporary presence of lights and shades  

Seven Centuries of Female Russian Art, from the ‘300s to the Twentieth-century Revolutions

On display a fascinating collection of Holy Maries, TSARINAS, mothers, countrywomen, factory workers, poetesses

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The extraordinary hyperbole of THAT GENTLEMAN with polished manners who started from Trieste for conquering Paris and New York

When I met him in New York in the spring of 1987, Leo Castelli owned three galleries