Gerhard Richter: dipingere per non dimenticare
Berlin • Paintings from the Birkenau series on display at the Nationalgalerie
He imposes on his painting resonances with history, national identity and the universal collective memory
To threaten the proper enjoyment of the exhibition events of Gerard Richter’s works, we always find the syndrome of the double concept of master and masterpiece. Two nouns, by now adjectival, that impose on the spectator a prejudicial interpretation and prevent in-depth analysis and reflection, as happens for some geniuses of the history of Western art.
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