Painter, scenographer, poet, author of plays and art critic: he is a prominent personality of the New Figuration and Narrative Figuration

The Centre Pompidou, before closing for a five-year period, from 2025 to 2030 for renovation works, gives us an original exhibition: “Gilles Aillaud. Political Animal” (until February 26th, 2024 at the Gallery n 3 on the first level).

11 fishing nets, from 4 Mexican fishing communities become an oneiric installation

In every age and every place, the Spanish language, has never stopped trying to define or transcend the boundaries of sueño or to confuse them with those of wakefulness. Does Cervantes’ Quixote dream or is he mad? If the whole of existence is vague, evanescent and light, as in Calderón de la Barca’s La vida es sueño, how can we distinguish the oneiric from the real?

If we talk about Achille Lauro, in the collective imagination of today’s young people, we immediately think of the hip-hop singer-songwriter and his controversial participation in Sanremo. But his stage name derives from the owner from Naples who, between the 50s and 70s, was among the most important Italian entrepreneurs, as well as Mayor of Naples, Member of Parliament, and President of the Naples Football team.

Architect, her works can be found in Canada, USA and Japan. Sculptress, she lives between Seattle and Pietrasanta where she spends 5 months a year to realize monumental artworks

We met Louise Durocher in Pietrasanta at Giorgio Angeli’s studio. She greeted us with flowing red hair and piercing green eyes in front of her latest creation: Conversation.

What do you tell us through this sculpture, Louise?

On view, artworks from the 60s and 70s bring in dialogue the investigations of a programmed and kinetic matrix with works of ecological inspiration

Armando Marrocco’s new solo exhibition at the Galleria Luce pays homage to the Venetian spatialism: “Armando Marrocco. Convergenze spaziali. Venezia, Milano e oltre” (“Armando Marrocco. Convergences in space. Venice, Milan and beyond”). The idea of the curators Michela Luce and Toti Carpentieri is to highlight correspondences and analogies so far little explored.

AW ArtMag won the case. But the damage to the entire industry has already been massive. A Caporetto in terms of cultural dissemination, freedom of information and advertising revenue

Forgive them because they do not know what they are doing. The claims of the Italian Society authors and publishers of the payment of reproduction rights for images of works of their members in support of journalistic services have come down with the destructive force of a hurricane on the entire sector of the artistic system.

The exhibition “Orizzonti sensibili” addresses issues such as environmental protection, sustainability, the relationship of man with nature

40 works to tell the interiority of Antonella Quacchia in connection with the world. This is the personal exhibition hosted by MyOwnGallery - Superstudio Più in Milan, in Via Tortona that testifies the evolution of the city area in an artistic crossroads.

On view more than 40 artworks from the late 1930s to the imposing paintings of the 1980s

The Orler Gallery, in the renewed space in Abano Terme (Padua), offers until November 19th “Emilio Vedova - Untitled”, a retrospective curated by Cesare Orler.

A hundred artworks on view from the early 2000s to the last monumental paintings of the Pinault Collection

Martial Raysse is known for his role in the European pop art of the 60s; he is the dandy who represents France at the 33rd La Biennale di Venezia where he wins the David Bright Award. With revolutionary grit, he reinterprets the classics of art history, plays with acid colors to capture consumerism and show the frivolity of an era.

On show, 60 works which illustrate the Via Crucis coming from the Antioquia Museum in Medellín

Artists have often tied their fame to a label that characterizes their gesture that does not always highlight their qualities with due completeness. The case of Fernando Botero is emblematic. Botero is universally known as the artist of “large forms” and of a contemplative pleasantness capable of leading into an Edenic world. But this style is not completely representative of Botero.